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Author Archives: Arab America

Muslim Students Association hosts Islam Awareness Week

This week, the Muslim Students Association of Notre Dame (MSA) is hosting Islam Awareness Week,  featuring a series of events meant to increase understanding about the religion and its representations.

Emily Danaher | The Observer
MSA vice president and graduate student Fatemeh Elahi said the week’s events, whose co-sponsors include the Graduate Student Union and Multicultural Student Programs and Services and which include a panel discussion, a lecture and a film, focus on society’s perception of Islam and the role of the hijab, or head-covering veil, in the religion.

“This is the most obvious appearance of a Muslim girl, that she is wearing a hijab,” Elahi said. “That’s also where it has been most misrepresented, that [people think] the hijab is a symbol of oppression. So we wanted to talk about how this is actually a misrepresentation, and how it actually means empowerment for girls.”

To start the week, MSA held a panel discussion and Q&A Monday night about the importance of the hijab in the prayer life of Muslims. At the Fieldhouse Mall on Thursday, the group will also give out the garment, answer questions about the hijab and teach people how to wear it. Elahi said the goal is for Muslims and non-Muslims alike to understand why many Muslim women wear a hijab.

“Hijab basically means modesty, and modesty is one of the biggest teachings of Islam for both men and women, so it’s very important that we internalize this, that our prayers are about modesty,” Elahi said. “… We can learn so much by understanding the concept of hijab.”

Thursday evening, Islamic studies professor Ebrahim Moosa will give a lecture in the Hesburgh Center Auditorium about representations and misrepresentations of Muslims in the media, MSA president and senior Liyana Muhamad said.

“People want to talk about this, so we want to provide a platform so people can talk about this and stop blaming each other for things that none of us are accountable for,” Muhamad said. “That’s pretty much the idea, watching out for each other. The whole idea of wars and things like that are very much motivated by the media, and not by our innate role.”

The week will end with a screening of “Fordson: Faith, Fasting, Football,” a documentary that explores the impact of the September 11, 2001 terrorist attacks on a Muslim community through the eyes of a predominantly Arab-American football team. Elahi said MSA chose the film because it was relevant to the lives of Muslims in the United States today.

“After 9/11, their lives changed,” Elahi said. “It wasn’t because of something they had done … it was just, the media was painting the whole group with a broad brush and they were suffering for that. We just realized it was a good movie because people can connect with it, and it’s very educational.”

Source: ndsmcobserver.com

‘Nefertiti’s Daughters’ to premiere at Aspen Shortsfest

Queen Nefertiti dons a tear-gas mask on the streets of Cairo in “Nefertiti’s Daughters.”

The 40-minute documentary, premiering Thursday at Aspen Shortsfest, depicts the emergence of Egyptian women street artists since the 2011 uprising in Tahrir Square. Under the constant threat of violence and arrest, a group of women artists have taken to the streets there, using Nefertiti and Pharonic imagery as a rallying cry for social change, along with stark images that spread an anti-authoritarian message. A blue bra, for example, stenciled on urban walls, represents a woman who was assaulted on camera by Egyptian military forces, stripped out of her abaya to her underwear, and stomped.

Three stories intersect in this compelling short film from director Mark Nickolas: the emergence of Egyptian street art, the oppression of women in the country, and the revolution of that toppled President Hosni Mubarak but didn’t stop government brutality against Egyptians.

“These are real life and death issues,” Nickolas said in a recent phone interview. “These women go into the streets not knowing the outcome. They could be raped in the streets for doing their art. And once the assault is over, they may be arrested for doing their art.”

As Nickolas began filming the documentary, he envisioned it as an ensemble portrait of the women artist-activists who have emerged in Egypt. But, as he learned more about artist Bahia Shehab, she emerged as the film’s main character. Nickolas found Bahia Shehab through a TED Talk she gave in 2012, titled “A Thousand Times No,” about her project using the Arabic script for “No” as protest art.

Last year, Shehab was named to the BBC’s “100 Women” list for the second time, in recognition of her leadership through art in Egypt. She is in Aspen for Thursday’s premiere and is expected to take part in a panel discussion following the screening.

Before the Arab Spring, there was not an established tradition of street art in Egypt. So the artists who took to the streets in protest, like Shehab, Mahia Shihadeh and Salma Samy, were formally trained painters, art historians and graphic designers. Their astounding, stark and powerful work, as a result, has a rare clarity.

“They came into the streets with a level of thoughtfulness about how they communicate,” Nickolas said. “They knew exactly how to impart strong meaning in simple images.”

The 40-minute short is Nickolas’s debut as a director, or, as he puts it, “the first film I’ve made that wasn’t for a grade.”

His filmmaking career is something of a second act for Nickolas, who worked in national politics for about 15 years – serving in the press shop for Bill Clinton’s re-election in 1996, for Al Gore’s 2000 presidential bid, and then managing campaigns for gubernatorial and congressional Democratic candidates. He then moved into media, blogging about Kentucky politics as early as 2005 and working as a columnist for Louisville’s alt-weekly.

At age 44, he turned his attention to filmmaking and enrolled in the film program at the New School in New York City.

“I thought, ‘How else can someone who cares about issues do work that helps influence the public?’” he recalled. “And documentary filmmaking, in its finest form, can do so much. They have the ability to communicate much more effectively.”

His talent behind the camera quickly drew attention. A 6-minute student film he made on the history of the Wall Street “Charging Bull” statue made it into festivals and was the subject of features on CNBC and NPR.

Nickolas used that momentum to make “Nefertiti’s Daughters,” raising $20,000 through a Kickstarter campaign and heading to Cairo to film last April.

Of course, the Egyptian revolution is a work-in-progress, and it’s clear from the film that its story is ongoing. But Nickolas opted not to continue following it, or to pursue a feature length documentary, instead capturing a “snapshot of a short period of time.” For now, Nickolas said, he isn’t concerned about getting distribution or selling “Nefertiti’s Daughters” to a broadcaster. He’s submitted it to 40-some film festivals and simply wants this story of Egypt’s women street artists to be heard.

“I don’t look at the film as a commercial endeavor,” he said. “I look at it as an important story that needed to be told.”

Source: www.aspentimes.com

Nada Debs explores ‘East & East’ design concept

Born in Lebanon, raised in Japan, educated and trained in the United States, and with work experience in the United Kingdom — interior designer Nada Debs is quite a global citizen. Her creations are as unique and eclectic as the designer herself. Her mission is to celebrate Eastern craftsmanship in contemporary design.
From early recollections of growing up in an Arab household within a Japanese society in the 60s and struggling to reconcile her understanding of the two cultures, Nada Debs began her formal journey down the design path in the late 1980s when she graduated from Rhode Island School of Design with a Bachelor in Interior Architecture. Armed with her newfound technical know-how of contemporary American design and her Far East upbringing Nada Debs moved to London. There she was exposed to the British tradition of quality antique craftsmanship, a complete contrast to the more puritanical form follows function approach to design in the US at that time.
We met with the multicultural designer and talked about her passion for design, furniture and her brand.

What first got you interested in design and interior architecture?
I went to see a show in New York in the 80s and got fascinated by designing furniture. I started to make furniture for myself on weekends.

Tell us about your company.
I started working in Beirut in 2000 and opened my showroom in 2004. That is when my company was established and I started the brand Nada Debs. We design, manufacture and sell furniture and home accessories made in Lebanon.

How would you describe your approach to design?
I was intrigued by the crafts of the Middle East, namely the mother of pearl inlay, hand carving and perforation. I tried to find ways to apply the different techniques in contemporary furniture. I called the concept East & East — fusing Middle Eastern craft with Far Eastern minimalism.

Tell us about the process of designing a new line.
I start with experimenting with a craft technique and making some samples, even before I know what piece I’m going to create. Usually the craft itself inspires me to design, let’s say either a box or a table or a chair.

What inspires you when working on a new project?
Often the client/audience or the craft itself.

What are you currently fascinated by and how is it influencing your work?
I’m interested presently by geometry because it is a universal language that every single human being can understand — no words are necessary. I apply it as a pattern or as a form.

What are some of the most stimulating projects on your plate right now?
Pushing the boundaries of craft and materials such as applying mother of pearl onto concrete — one organic material and one manmade material, I’ve created tables called Concrete Pearl. Also, by combining industrial material with craft such as plastic laminate and inlaid wood, I’ve made trays out of them called Geometrik. It’s about finding a balance between opposing materials.

What is the collaborative energy like in your team, and how does it work into your overall design philosophy?
We have regular meetings where we discuss and share ideas regarding how to translate people’s needs into actual products. I have an open door policy in the company, we are always open to new ideas. We communicate very well and it’s always fun!

What are some of the great lessons to have come out of those rough few years?
Persistence is the key … never give up! The down days are when we re-assess where we are and what we do and where we are going. It is never negative.

How design-conscious are your clients today compared to how they were at the start of your career?
Very design savvy! They are mostly well-traveled individuals and know a lot about design. Of course in the recent years, design has become a household name, especially in the Middle East.

How do you approach the task of designing for a well-trafficked public space?
One strong feature would do or something that has repetition.

What’s your take on the state of architecture and design today?
I think people are experimenting a lot and there are no more rules. The computer has added a new dimension to construction so things that were impossible to make before have become possible to produce. This has changed design. But people are becoming more conscious about their personal needs and comfort so design is not about proving anything to anyone but about making sure that they resolve a problem and bring comfort whether in product design or in buildings.

Who/what has been the biggest influence on your work to date?
Craftsmen and their passion and attention to detail and dedication. For me it is equated with love.

Overall, what would you say is your strongest skill?
Finding a balance in differences such as in materials or cultural elements. I also feel I have a sense of what people are seeking and design accordingly.

Is it hard to switch between interior and product design projects? And what helps you focus on specific briefs?
To me, the most important element in designing, whether it is an interior design project or a product design project is to bring out an emotional element in the work.

How are you celebrating your 10 year anniversary?
This year I am collaborating with my love for photography and doing a retrospective using that. I am also in the process of writing a book.

What advice would you give to emerging designers and students who are entering the industrial design industry?
Keep an eye on what people are looking for, keep listening. The idea is to create products that resolve a need, be it cultural or functional.

What are you working on right now?
I am working on home accessory products and furniture products using new techniques of craft and new materials such as brass and straw as well as collaborating with different brands such as Selim Mouzannar jewelry, Iwan Maktabi carpets and Milia M fashion.

What are your future plans?
To expand the business globally.

Source: www.arabnews.com

Discussion on Saudi Arabia’s Military Intervention in Yemen

Panelists gave presentations and then discussed the instability in Yemen and Saudi Arabia’s military intervention against the Iran-backed Houthis. Then Saudi Arabian Ambassador to the U.S. Adel Al-Jubeir made remarks and responded to questions. He said they had no choice but to take military action against the Houthi rebels in Yemen.

“Yemen in Chaos: Analysis, Prognosis, and Prospects” was a public briefing by the National Council on U.S.-Arab Relations in the Rayburn House Office Building in Washington, D.C.

Mr. Abbas Almosawa spoke in Arabic with consecutive translation into English.

Source: www.c-span.org

Naseer Aruri, who built Palestinian solidarity movement in US, to be memorialized this Saturday

Naseer Aruri, a leading Palestinian scholar and activist in the Diaspora, died in February in Massachusetts. There will be a memorial service for him on Saturday on the University of Massachusetts at Dartmouth campus where he taught for decades.

Aruri died in February, and was remembered at Middle East Monitor:

Palestine and The Arab World lost an eminent academic scholar, an internationally recognised and highly respected intellectual, a committed and unwavering Palestinian patriot and a progressive Arab nationalist… Dr. Aruri was a leading voice in the field of human rights and an authoritative reference on US foreign policy in the Middle East, particularly towards the Palestine/Israel conflict. Born in 1934 in Jerusalem, Palestine, Dr. Aruri held a Ph.D. in Political Science from the University of Massachusetts-Amherst, and was a prolific writer and lecturer who appeared often in the media throughout the past half century.

Nadia Hijab wrote about starting the US Campaign to End the Occupation in 2001 with Aruri as an adviser. Her obit at Palestine Chronicle of a teacher and a friend began:

There are those whose life and work touch the lives of tens of thousands, for decades. Naseer Aruri was one such man. The news of his passing on 10 February 2015 was quickly relayed from North America through Europe and to the Arab world, bringing shared sorrow and reflection on his manifold contributions to the cause of justice for the Palestinian people, progress for the Arab nation, and human rights for all peoples.

Aruri was 81 and the author of nine books.

Abdeen Jabara, who will eulogize his friend on Saturday, said this of him to Mondo:

I loved Naseer, he was the essence of kindness. When I first met him, he had such a gentle demeanor and a thoughtful attitude, and a total commitment to the question of Palestine.

He was of the generation– there were the superstars, Edward Said and Ibrahim Abu Lughod, and they were hard driving forces who got a lot of attention. Then there were the quieter types, and Naseer was that spirit. He was the third president of the Association of Arab American University Graduates (AAUG), which began in 1967. You must understand, at that time, we were circling the wagons, and we were the Indians, in a very hostile environment. This was the period following the June 67 war through the 70s, and we represented a wave of optimism and activism and hope that came about after the destruction of the Arab armies in ’67 and the rise of the popular resistance. It was a time of enormous energy. But the AAUG was not a lobbying group. We never wrote one letter to the administration. Because we said the American government was guided by an imperialist policy. But we had to reach out to the American people. That was the rationale of the creation of the AAUG. Let’s try and educate the American people, and we did, we laid the foundation inside the academy.

We brought incredible speakers from all over the Middle East and the Third World. We brought Andreas Papandreou, William Sloane Coffin, Krishna Menon among others. We invited Tariq Ali and the US wouldn’t give him a visa because he had burned an American flag. Eqbal Ahmad spoke in his place and he brought down the house. Naseer later wrote about that speech. He was a Pakistani firebrand and he began by saying, “I am speaking to a banquet but I am not a banquet speaker. I am here because Tariq couldn’t come because they said he burned the flag. This is a damn lie, he did not burn the flag, he cremated it.”

This was a heady time. We were part of an anticolonial, third world movement. And we made a real impact in academia. Today’s there’s journals on Arab American studies, literature, all this stuff. Not a single iota of that existed when we were starting this up….

Naseer was a very principled man. I remember after Iraq invaded Iran, we had a convention in Massachusetts and I was on the resolutions committee with him and we prepared a resolution that condemned Iraq. All hell broke loose because Baathists came and they wanted to disrupt things, but Naseer stuck to his guns. He thought this was a horrible thing that Iraq had invaded Iran.

Here is more of his story from the University of Massachusetts:

Born in Jerusalem, Palestine on January 7, 1934, Professor Aruri’s father was a high school principal in Jerusalem and he and his family split their time between Jerusalem and the West Bank village of Burham, where the family home still stands. He immigrated to the United States in 1954 in order to pursue a college education and arrived in Springfield where his brother, Said, was already a student at the American International College (AIC). He received his B.A. in History from AIC and his Ph.D. in Political Science from the University of Massachusetts Amherst.

While a student at AIC, he was adopted by the sizeable Lebanese community of Springfield and later married Joyce Thomas, a Lebanese-American, to whom he was married for 54 years. Besides his wife, he is survived by four children — Faris, Karen Leila Carnes (who teaches at UMass Dartmouth), Jamal and Jay — as well as 13 grandchildren, two sisters, a brother, a niece and nephew.

Here is information on Saturday’s memorial service. We are informed that among others, Jabara and Hani Faris will speak at the event. You are asked to RSVP at that link.

A MEMORIAL CELEBRATING THE LIFE OF
CHANCELLOR PROFESSOR NASEER ARURI

Sunday, April 12, 2015

11 a.m.

Woodland Commons

University of Massachusetts Dartmouth

285 Old Westport Rd.

Dartmouth, MA 02747

—–
Dr. Naseer Aruri was Chancellor Professor of Political Science at the University of Massachusetts Dartmouth from 1965 to 1998, including eight years as chair of the department. Dr. Aruri passed away on February 10.

Dr. Aruri was an internationally recognized scholar-activist and expert on Middle East politics, U.S. foreign policy in the Middle East and human rights. He is the author of numerous books and publications in this field. He served three consecutive terms as a member of the Board of Directors of Amnesty International, USA (1984-1990) and was a member of the Board of Directors of the New York-based Human Rights Watch/Middle East from 1990-1992. He was a Founding Member of the Arab Organization for Human Rights (AOHR) in 1982 and a member of the editorial board of Third World Quarterly (London). He was a key participant in the drafting of the Arab Covenant of Human Rights under the auspices of the International Institute of Higher Studies in Criminal Justice in Italy in December, 1986. He was a member of the Independent Palestinian Commission for the Protection of Citizen’s Rights (Ramallah) and a member of the Advisory Board of Directors of the International Institute for Criminal Investigations in The Hague. He has testified as an expert witness in U.S. Federal and Canadian Courts in cases dealing with political asylum and deportation.

The memorial celebration will include remarks from family members, colleagues and friends, as well as a video tribute on his life. A reception will follow.

Source: mondoweiss.net

Arab American Soundscapes: An Evening of Poetry & Performance

A musical soundscape by Naj Bagdadi surrounds an evening featuring performances by Moheb Soliman, Ismail Khalidi, and Nathalie Handal, and including a line-up of acclaimed poets—Glenn Shaheen, Hedy Sabbagh Habra, Philip Metres, Lisa Suhair Majaj, Ahimsa Timoteo Bodhrán, and Trish Salah. The music and performances will be set against the backdrop of a gorgeous film of the Euphrates River, commissioned by Mizna from Iraq-based video artist Ali Al-Tayar. Don’t miss the chance to see these poets who are shaping the landscape of Arab American literature.

An off-site AWP event that is open to the public and co-presented by Mizna and the Cedar Cultural Center.

Ticket options and info

On sale date: now!
Phone: 612-338-2674 ext 0 between 12 noon and 4pm M-F ($2 fee per ticket)
In person: From a Cedar volunteer in the front lobby during events (no fee; cash, check, credit card), Depth of Field (no fee; cash or check only), or Electric Fetus (approximately $2 fee)
Online: Ticketfly (typically $2–$3 fee/ticket) (click on red Buy Tickets button at top of this page) until 5pm day of show
The Cedar is an all ages venue
Students with ID, seniors over 65, and children under 12 may purchase tickets at a discount at the door (subject to ticket availability).

Source: www.thecedar.org

Sabra Hummus Announces A Recall Over Listeria Fears

A nationwide recall has been announced for some 30,000 cases of hummus made by the Sabra company, due to possible contamination. The FDA says the recall is voluntary and no illnesses have been reported.

The recall covers several products with a “best by” date of May 11 or May 15 (see details below). The products are predominantly the “Classic” variety of the hummus, in a range of sizes.

The FDA says anyone who has bought the packages should either dispose of them or take them back to retailers for a refund.

Sabra says that it learned of the possible contamination on April 7.The company says that other than the five Classic Hummus products, “All other Sabra products are safe to eat.”

The risk was found after a “routine, random sample collected at a retail location on March 30th, 2015” by state inspectors in Michigan tested positive for Listeria monocytogenes, the FDA says.

The FDA describes the potential risks:

“Listeria monocytogenes is an organism, which can cause serious and sometimes fatal infections in young children, frail or elderly people, and others with weakened immune systems. Although healthy individuals may suffer only short-term symptoms such as high fever, severe headache, stiffness, nausea, abdominal pain and diarrhea, Listeria infection can cause miscarriages and stillbirths among pregnant women.”

Source: www.npr.org

Rida Hamida Wants You to Visit Little Arabia

If you’ve been to any progressive event in Orange County during the past decade, you know who Rida Hamida is, even if you’ve never talked to her. Her radiant hijabs, wrapped in the billowy Andalusian style and usually in some shade of pink because “it’s a color that breaks down barriers and emanates happiness and courage,” aren’t the only reason the 36-year-old stands out. She’s usually standing at the front during speeches: sometimes speaking, sometimes at the side of other community leaders. Leading is natural for Hamida, community liaison for Loretta Sanchez and co-founder of the Arab American Civic Council; it’s literally her name, which translates as “leader” in Arabic.
“I need to live up to it,” Hamida says. “It’s important–I mean, it’s my name!”

To read the rest of our 2015 People Issue profiles, click here!

Born in Burbank to Palestinian immigrants, Hamida’s family moved to Anaheim when she was 11 so her father could be closer to his shop at what’s now the Outlets At Orange. The family worshipped at the county’s oldest mosque, the Islamic Center of Orange County off Brookhurst Street in Garden Grove. A couple of blocks north in Anaheim’s section of the avenue, fellow Muslims and other Middle Eastern immigrants began opening stores, restaurants and markets, creating an enclave now known as Little Arabia, one of the largest such neighborhoods in the United States.

After graduating from Canyon High, Hamida went off to UCLA for her undergraduate degree and studied social work at the school’s graduate program. She returned to Little Arabia in 2006, working in the nonprofit world in everything from gang intervention to helping Iraqi refugees adjust to their new country to counseling survivors of domestic violence. But in December 2013, Hamida decided to help bring more attention to Little Arabia after seeing local businesses struggling.

“This area is part of my childhood,” she says. “The symbolism of Little Arabia isn’t just Little Arabia. It’s about immigrants; it’s about people who’ve lived here for 50 years. It’s about an authentic part of Anaheim, of Orange County.”

Hamida began inviting politicians and community leaders to visit Little Arabia, culminating in the so-called “Shawarma Summit,” held at Papa Hassan’s last spring. There, community members, business people and Anaheim Mayor Tom Tait talked about the future of the area, promising to bring more money and tourists there.

In addition to her name, Hamida draws upon her status as a Muslim woman for her strength.

“There’s this stereotype that women in hijabs are somehow submissive,” she scoffs. “I find it funny. We’re some of the most liberated, outspoken leaders in our community. And my faith compels me to serve the community. One of the founding tenets of Islam is to make sure that the person next door has what you have.”

And as for where she gets those great hijabs? “Forever 21,” she says with a laugh. “What can I say? I’m a California girl.”

To read the rest of our 2015 People Issue profiles, click here!

Email: garellano@ocweekly.com. Twitter: @gustavoarellano.

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Source: blogs.ocweekly.com

Communities support effort to ‘Take on Hate’

People may have seen the T-shirts around town, black and emblazoned with the words Take on Hate.

The message is clear.

In an effort to stop hate and prejudice, especially against Muslims and Arab Americans, the Take on Hate grassroots campaign has been spreading the word that everyone should be treated the same.

The effort aims to achieve meaningful social change not only through public education, media and coalition building, but also by providing a platform for Arab Americans to speak up and inspire real policy change that challenges institutional discrimination and protects the rights of communities.

The campaign, launched in 2014, has been spreading, and most recently has been supported by the city of Dearborn, U.S. Congresswoman Debbie Dingell (D-Dearborn), Wayne County, Detroit and Taylor.

During its April 2 meeting, the commission unanimously offered a resolution supporting the effort.

“The principles of Take On Hate apply universally to all groups,” Wayne County Commission Chairman Gary Woronchak said, “with the message being that we oppose discrimination and bias against all people that is based on their religion or ethnic heritage.”

Woronchak recalled living in Dearborn right after the terrorist attacks of Sept, 11, 2001 and said there was a lot of backlash toward Arab- and Muslim-Americans.

“Unfortunately, world events in recent months again have left our residents at risk again of being targeted by the ignorant and intolerant,” he said. “Worse, the growth of social media in the last decade has provided an outlet for such troublemakers to reach larger audiences with more immediacy and, often, with anonymity.”

Supporting the Campaign to Take On Hate, Woronchak added, will “send a message

that hate and bias will not be tolerated.”

Dearborn passed its resolution supporting the campaign on March 31.

Dearborn is known for its large Arab- and Muslim-American population and has endorsed the campaign and its objectives.

The Dearborn City Council, along with Dingell pledged their support of the campaign.

“I am proud to stand with the Dearborn City Council and the Campaign to TAKE ON HATE,” said Dingell. “We all want our community to be a place where everyone feels welcome and respected. You cannot fight intolerance with intolerance, and this resolution sends a powerful message that we are united in our efforts to counter stereotypes, overcome prejudice and end hate.”

Council President Susan Dabaja introduced the resolution to officially join the Campaign to Take On Hate, led by the National Network for Arab American Communities, a project of the Dearborn-based nonprofit ACCESS. The resolution passed unanimously.

“It’s not just about the Arab American or Muslim community. It’s about everyone here in this room,” Dabaja said during the meeting.

Take on Hate organizers say support of elected officials is essential to the campaign.

The effort aims to achieve meaningful social change through public education, media and coalition building, and by providing a platform for Arab Americans to speak up and inspire policy change that challenges institutional discrimination and protects the rights of our communities.

Source: www.pressandguide.com

What It’s Like To Be Egyptian-American At A Catholic University

At Boston College, a Jesuit Catholic university where 70 percent of students identify as Catholic, Fatmah Berikaa says she is the only student who lives on campus and wears a hijab.

Berikaa, an Egyptian-American who grew up in Massachusetts, says she chose BC for its academic programs, its friendly campus and its financial aid. She lives in a dorm on the Upper Campus with other first-years. Berikaa hopes to teach and is studying secondary education and English, with a focus in English as a second language, and minoring in Arabic.

Berikaa talked to The Huffington Post about her experiences on campus — what she worried about before starting at the school, how strangers approach her with questions, and how she manages living in a dorm and squeezing in prayers between classes. Here’s her story, as told to Alexandra Svokos:

I was super worried about attending a Catholic university. I thought I would be the only Muslim on campus. We have a Facebook page for every class here, and I’d scan it looking for names that sounded Muslim, just to get an idea of what to expect. I met a few on Facebook before coming, but I met a bunch more once I got involved with the campus’ Muslim Student Association [MSA].

I’m one of five hijabi students on campus — women who wear the headscarf — and I’m the only one who actually lives on campus. Islam is a big part of who I am — it’s kind of, inside and out, part of my identity — so I always feel pressure, like I’m essentially representing my religion all the time. It’s hard sometimes, because that’s 1.6 billion people who can be judged based on how I’m seen. I don’t want people to see me having a bad day and generalize that to the entire population.

On campus, people are really open and friendly. People walk up to me and start asking questions. Sometimes people are really offensive without even meaning it, but I’d rather have them ask me outrageous questions and get the right information than go on believing something that’s not true.

A lot of people start off by commenting on the headscarf. They’ll talk about the color, or ask to feel it. And then every once in a while you’ll get ridiculous questions, like “Can you ever take it off?” I don’t shower with it. For the record, that’s not how it works.

I teach ESL in Boston as part of a volunteer program, and a lot of the students there are recent immigrants from El Salvador or Colombia, and they don’t have big Muslim populations in those countries. They’ve never seen a Muslim, so they ask me a lot of crazy questions, like “I heard that men can have four wives…” It’s really sweet that they make the effort.

I love when people ask questions, because it shows that they’re making the effort. So I want to reciprocate and make the same effort.

Once I got here, I found that a majority of the people that I was meeting came from really diverse backgrounds, and that’s great. But it’s also nice spending some time with people who are on the same page as you.

Source: www.huffingtonpost.com

A century of challenges to Zionism

During Israel’s bombardment of the Gaza Strip in the summer of 2014, an estimated 10,000 Israelis took to the streets of Tel Aviv chanting “Jews and Arabs refuse to be enemies” and “Gaza, Gaza, don’t despair, we will end the occupation.”

They carried signs that read “Stop the Massacre, End the Siege,” while demanding an immediate ceasefire by their government. They were often surrounded by thugs who yelled “Death to Arabs, Death to Leftists” and occasionally initiated physical attacks on the protestors.

Who were these protestors?

Ran Greenstein, an assistant professor of sociology at the University of the Witwatersrand in Johannesburg, South Africa, would likely call them the spiritual, if not the political, descendants of a culture of dissent going back more than 100 years. In his new book, Zionism and Its Discontents: A Century of Radical Dissent in Israel/Palestine (Pluto Press), Greenstein examines the ideas that various organized groups raised in opposition to political Zionism, including those espousing liberal-humanist, secular nationalist and Marxist-Leninist positions.

Greenstein has written extensively on the differences and similarities between South African and Zionist settler-colonialism. He has noted, in particular, that settler-colonialists in South Africa always intended to exploit the indigenous black labor whereas Zionists sought to dispossess the indigenous Palestinian Arab population and replace it with “Jewish labor.”

Nevertheless, the possibility of applying an anti-apartheid perspective to the Palestinian struggle, rather than viewing it solely through a nationalist lens, is an underlying theme that runs throughout the book.

Dissidents

Greenstein’s opening chapter brings fresh insights into some of the early dissident movements against mainstream Zionism in British Mandate Palestine, beginning with the liberal humanist or binationalist movement that gathered around Brit Shalom in the early 1900s. This organization represented Jewish settlers in Palestine who opposed the idea of establishing a Jewish state and sought instead a neutral state that would uphold universal principles of equality but guarantee cultural autonomy and limited, local self-government for Jews and Arabs.

He shows how cracks soon developed within the Brit Shalom movement in the figures of Arthur Ruppin and Hans Kohn. Ruppin came to adopt the liberal Zionist position that rejected the idea of Jews being a national minority within Palestine, while Kohn scolded the settlement movement for never seeking “‘the consent of the indigenous people.’”

Although Greenstein believes that many of the binationalist advocates were in fact dissidents from political Zionism, he maintains that they were never seen as such by Palestinian nationalist leaders who concluded that they were part of an overall Zionist strategy to dispossess them. The mainstream Zionist slogans of “Redemption of Land” and “Conquest of Labor,” with their exclusivist strategies of land and labor only for Jews, set the stage for this suspicion.

After some within the binationalist movement went back on their promise not to expel Arab peasants from land acquired from rich landlords, distrust was sown. That, along with a number of other factors, accounted for the failure of the binationalist movement of the time, Greenstein argues.

Communism in Palestine

Greenstein next directs his attention to the early communist movement within Palestine. The Palestine Communist Party was initially made up almost entirely of Jewish workers and intellectuals. It sought to unite Arab and Jewish workers in a socialist revolution that would expel British colonialists and establish a workers’ state.

This thinking persisted until the executive committee of the Communist International (Comintern) recast the conflict as a national liberation struggle of the mostly peasant Arab masses against British and Zionist colonialism, which both sought to position the Jewish national minority as a “’privileged layer’” against the Arabs.

The Comintern instructed the party to “Arabize” — that is, to become a party made up primarily of the indigenous Palestinian Arabs and to make agrarian revolution its primary political goal.

This reshaping of the theoretical framework yielded numerous practical consequences for Jewish members of the party, including opposing Jewish immigration to Palestine, calling on Jewish workers to provide armed support to Arab tenant farmers fighting dispossession, and fighting their own Jewish bourgeoisie by firmly aligning with the indigenous Palestinian Arab national struggle.

Although the party succeeded in recruiting more Arabs and began to bring Arabs into leadership roles, it lost many Jewish cadre who were expected to work within the Jewish-only labor federation, the Histadrut, where they were perceived as an “alien force.” Following the Arab revolt of 1936, the party reorganized into two separate groups, the Arab section and the Jewish section, and this led ultimately to its demise in 1948 when the Jewish section supported the creation of the Zionist state.

“A state for all citizens”

Greenstein next discusses the development of the Palestinian secular nationalist movement. Here he introduces a theme that carries through the rest of the book and reflects to a significant extent his immersion in the South African anti-apartheid struggle.

He critiques nationalism for failing to “break away from racial or national group identification as the basis for social and political rights, but rather seeks to reinforce boundaries between groups” and largely fails “to offer a vision of a shared future within the same framework in order to overcome ethnic or national distinctions.” He cautions that “this does not make it [nationalism] illegitimate or invalidate its cause” but that it lacks an anti-apartheid perspective.

What brought the Palestinian struggle “closer to the anti-apartheid” movement, he says, was the 1968 Palestinian National Charter adopted by the Palestine Liberation Organization (PLO).

For the first time, he maintains, the Palestinian national movement recognized Jews residing in historic Palestine as “legitimate members of the national community.” Nevertheless, he finds the PLO’s call for Jews to renounce Zionism as a condition for citizenship in a Palestinian state “delusional.”

Greenstein then segues into an examination of a relatively new development within the Palestinian movement — the emergence of the National Democratic Alliance (Balad) and the “vision documents” that followed the 1993 call by Palestinian intellectual Azmi Bishara for transforming Israel into a “state of all its citizens” and a “homeland for both Palestinians and Jews.”

But he finds that even this development remains within a nationalist framework and does not fit the anti-apartheid paradigm that he appears to be seeking. That paradigm, he says, has opened up as a realistic prospect only in the last decade. Rather than explore it further, however, he simply announces that it merits “a study of its own.”

Perhaps Greenstein’s next book will address that issue. In the meantime, he has done an admirable job in writing a history of anti-Zionist ideas, many of which remain as relevant today as when they were first expressed.

Rod Such is a former editor for World Book and Encarta encyclopedias. He is active with Americans United for Palestinian Human Rights, Jewish Voice for Peace-Portland Chapter and the Seattle Mideast Awareness Campaign.

Source: electronicintifada.net

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