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Author Archives: Arab America

Art in Iraq: ‘Baghdad is happening! It’s like New York…’

Hussein Adel is a struggling young artist sharing a tiny bedsit and living on take-out sandwiches. But the car horns blaring on the busy Baghdad street outside are a reminder that he is living his dream.

“Baghdad is where everything is happening – it’s like New York,” he says, surrounded by his paintings and sketches on the bed he and his two roommates take turns sharing.

Adel was 15 when his father, who had himself dreamed of studying art, brought him here from the provincial southern city of Nasriyah to enrol in Baghdad’s Academy of Fine Arts. “He stayed with me for two months and then he said: ‘You can take care of yourself better than I can. If I stay with you, you won’t become a man,’” says Adel.

Source: www.theguardian.com

How Music Shields a Child’s Psyche in a Time of War

A few Palestinian children protect themselves from trauma and stress by playing the violin and other instruments.
RAMALLAH—The white van, carrying young musicians riding home from a concert in Bethlehem, suddenly came upon a military barrier erected hastily in the road. “halt!” commanded a sign in Arabic and Hebrew. Just beyond, an olive-clad soldier was checking documents.

”Flying checkpoint,” said Rasha Shalalda, 14, a Palestinian flutist, to her sister Alá, 10, and other fellow musicians.  They were students at a Palestinian music school, Al Kamandjati (Arabic for The Violinist).

Flying checkpoints are temporary barriers the Israeli military erects for the stated purpose of catching suspected militants, and those without proper documents, who might try to evade the fixed checkpoints. Also known as random or “surprise” checkpoints, they are among the more than 600 roadblocks, earthen barriers and other obstacles the Israeli military has erected in the West Bank, a land about half the size of Connecticut.

Encounters at checkpoints could be deadly, but mostly, for Alá and Rasha, they were humiliating—dehumanizing reminders of who had control.  The “surprise” checkpoints were so ubiquitous that the sisters were never surprised to encounter them. “It’s normal,” Alá said.

The van slowed and came to a stop. The sisters gazed at the sign. Behind the soldier a military Humvee blocked the road. The soldier beckoned the van forward. He opened the sliding door.

“What’s that?” the soldier asked Alá, pointing to her soft blue instrument case.

“This is a violin,” replied Alá.

The soldier told her to step out of the van.

“Do you know how to play?” he asked.

“Yes.”

“Play,” instructed the soldier.

“Don’t play for him!” Rasha yelled in Arabic.

“Play,” repeated the soldier.

Alá frowned, looking into the van uncertainly.

Muntasser Jebrini, a teenaged clarinet player, said softly, “It’s okay. Play, habibti.” Play, my dear.

Standing erect, Alá calmly removed her violin, placed it under her chin, and began to play. She chose “El Helwadi,” or “The Beautiful Girl.” A haunting melody floated from Alá’s little violin—an “Oriental” sound, as it was called in Israel and the West. Certain and strong, Alá’s notes cut through the low rumble of idling cars and floated above the flying checkpoint, into the night air.

In the melody, the sisters could recall the words, about a penniless child whose mood is serene, for she has put her life in God’s hands. With patience, change will come; all will be better.

 “We saw in his eyes, he was shocked,” Alá remembered. “It was something he didn’t understand.”

Rasha, staring intently from inside the van, felt a surge of pride in her little sister, playing unfazed. “They claim that we are people with no identity, but Alá proved them wrong,” she said. Music, Rasha believed, was not only a source of pride; it was a means of assertion and protection.

The central purpose of Al Kamandjati, according to its founder, French-trained Palestinian violist Ramzi Aburedwan, is “to protect these children from these soldiers.”

To some the statement may sound like a slogan or a sound bite, or, more bluntly, absurd.  Yet in studies on music and trauma from other conflict zones, including Bosnia, South Africa, and Northern Ireland, researchers found that music reduced the recurrence of traumatic memories, raised the threshold for anxiety, and, perhaps more important, created the possibility to “re-imagine” one’s own life. Playing music, the researchers found—making something new in response to the trauma—not only was a way to move beyond victimhood; it was a path to healing and, eventually, to a complete personal transformation.

Source: www.thedailybeast.com

Middle Eastern art help bridge gap between region and the West at Sotheby’s auction

Ahead of the stampede of contemporary art sales in New York comes an auction of paintings, photography, sculpture and installation art from Sotheby’s in Qatar.

Up for sale will be dozens of artworks from leading Middle East artists such as Chant Avedissian and Ayman Baalbaki, offered alongside pieces by more established and widely collected international artists including Anish Kapoor, Rudolf Stingel and Christopher Wool. The pre-sale estimate for the auction is US$6.2 to $8.9 million (Dh22.7 to Dh32.6m).

It is, according to Ashkan Baghestani, a specialist in contemporary Arab and Iranian art at Sotheby’s, this placing of regional and international side by side that sets the sale apart.

“It breaks that geographical boundary that a lot of people impose on Middle Eastern artists. We curate it as a contemporary sale. That’s very important.” 

Among the lots to go under the hammer is a painting in oil from Baalbaki. The Lebanese artist was born in 1975, the year the civil war began, and the trauma of these years provides much inspiration. His most notable series is that of a veiled man wearing a kaffiyeh, which aims to refute the western prejudice that it’s worn only by terrorists. One of these portraits, Al Mulatham I, will be sold next week. “Baalbaki tried to reinterpret [the kaffiyeh] in a much more positive way with a floral background.”

The piece has an estimated price of $80,000 to $120,000.

Representing Egypt is Avedissian, whose installation, Icons of the Nile, is a mosaic of Egyptian and Arab culture. Avedissian is known for his stencil works and this 21-part piece features Cairo’s past celebrities, such as Umm Kulthum, Dalida and Princess Fawzia. Icons of the Nile has an estimated price of $180,000 to $250,000 (a larger Icons of the Nile piece sold for $1.55 million in 2013 at Sothebys Doha, a record for a living Arab artist).

The presence of Saudi Arabian artists is testament to a vibrant art scene developing in the kingdom. Ahmed Mater’s Green Antenna and Abdulnasser Gharem’s Men at Work (Time Magazine Person of the Year 2003: The American Soldier) go under the hammer.

Gharem’s work is made by using Arabic stamps that are then produced on an aluminium board. It’s a very pop-art take on Saudi culture. Baghestani agrees, and says both artists are pioneers in their field.

Gharem is considered one of the most influential figures of the Saudi art scene and is part of Edge of Arabia, a platform promoting artistic dialogue between the Middle East and the West.

“Most did not go to Saudi art school as they are quite limited in that area. They are self taught. A lot are social media-based. For that, I respect a lot of these artists,” Baghestani says.

Particularly striking among the lots is The Shrines by Ali Banisadr, who is, says Baghestani, “the hottest thing in art right now”.

Banisadr was born in Iran in 1976 and emigrated to the US during the Iran/Iraq war in the 1980s. The Shrines is part of a series inspired by war scenes from Persian miniatures. Earlier in the series, the merchants, warriors and king were clearly defined but the rendering of these figures has become more and more abstract.

“He is very well collected, impossible to get because his works are very laborious and take a few months to finish. It can [also] be a bit difficult for a western collector … the subject can be a bit difficult.”

Baghestani predicts that the limitations that some collectors and institutions put on art from this region will vanish over the next 15 to 20 years – and the Doha auction is evidence of changing attitudes. “It’s very important for us to be here. There are so many things going, exhibitions, art roots with Dubai and Abu Dhabi. There is a lot we can do.”

Source: www.thenational.ae

Your support makes a difference!

“It takes a village to raise a child” is a Nigerian proverb that is expressed in different forms in many African languages. This ancient African proverb best describes the life journey of a 3 years old Palestinian refugee. Ammar El-Ali was born with a profound hearing loss in both ears, but with the help of a Jewish American family friend and a caring community, Ammar is finally able to hear and broadly smile.

Source: americanpalestinianwomen.wordpress.com

Is this the world’s stinkiest holiday?

To discover the festival Shem En-Naseem, or “smell the breeze” in Arabic, the first stop is a fish market. Every year Egyptians crowd around the counter to buy the holiday’s signature dish, a putrid fish called faseekh.

It’s a mullet from the Mediterranean packed in salt and aged for over a month without refrigeration.

The longer it ages the more salt is needed.

It’s not hard finding someone who is selling the fish this time of year.

The breeze wafts the foul smell across neighborhoods but for some, the scent is sweet.

“I love faseekh. I love my son and I love faseekh,” says Maher Shehata, the owner of Al Fouad fish market in Cairo.

Shehata, 58, has worked in the shop his entire life.

His family began selling faseekh over 70 years ago.

A picture of his father, Fouad, watches out over their business.

Health warnings

Shehata’s 27-year-old son, Peter, keeps a close eye on his father too. Someday, he’ll take over the shop.

“The quality and low price. This is the lesson I take away from here,” says Peter.

Shehata tells me one of the things he loves most about the job is interacting with the people.

“Faseek is the people’s food. It’s not just for the average person but everyone,” he tells me. “And now the high class people eat it because it is given very clean and sliced into fillet.”

Proper handling and keeping the fish clean is extremely important. Every year people go to the hospital after eating bad fish, and sometimes they go to the morgue.

Egypt’s health ministry warns people against eating the fish, but the message falls on deaf ears as millions devour the stinky delicacy.

“I love the taste, even though I’m sick with high blood pressure, I eat it,” says Hoda, one of the costumers.

“I tell people one thing. If you don’t want to get sick then you have to buy faseekh from someone you trust. A clean place,” says Shehata.

When asked if the smell lingers on Shehata when he goes home, he just laughs it off. When the same question is put to his son he tells me: “I take a very good shower. A very good shower.”

The ancient festival dates back to the age of the pharaohs. The receding Nile flood stranded fish, leaving them to rot. Ancient Egyptians waited until they were good and ripe before eating.

It’s a truly Egyptian holiday embraced by both Christians and Muslims.

Age divide

At a house in Cairo neighborhood of Moqattam, we meet the Ahmed family.

Roughly a dozen family members cram into the apartment to celebrate the holiday akin to Thanksgiving.

“We all love Shem En Naseem because all of the family eats together,” says 13-year-old Mariam Ahmed.

As lunch approaches, preparation begins. Zenab, 61, guts the faseekh and places it on a plate.

For those with a more sensitive pallet, she also serves reenga, an aged, smoked fish.

“The only way to eat faseekh is with onion and lots of lemon,” says 63-year-old Adel Wahba.

As the family devours the meal there is a noticeable age divide.

“The old generation use to eat faseekh every year,” says Wahba. “But now, not all the young people doesn’t like too much.”

For those interested in tasting the fish, here’s some advice.

“If you are going to eat faseekh just try a little bit because maybe your stomach cannot afford it,” says Wahba.

“I advise you not to eat faseekh,” says 21-year-old Omar Khaled. “It’s too bad.”

If you’re still wondering how it tastes, watch the video to get an idea.

Source: wtkr.com

Palestinian writer Suad Amiry inspires Portuguese exhibition

An exhibition of work by artist Joana Villaverde runs in the central Portuguese town of Avis until 31 May.

The show, entitled “Animals’ Nightmare,” was inspired by a chapter from Nothing to Lose but Your Life, Palestinian writer Suad Amiry’s account of the dangers faced by young men trying to cross from the West Bank into present-day Israel in order to find work.

In an eerily-lit room, images of tortured, fleeing creatures and humans hang on the walls, while some of the dim light comes from the headlights of a vintage car.

The images pay homage to Amiry’s vision, resonant of the darkest of fairy tales or the dystopia of George Orwell’s Animal Farm. Amiry is well-known for her satirical 2005 memoir of the second intifada, Sharon and my Mother-in-Law.

In a chapter of Nothing to Lose but Your Life, the animals of the world appear before former US vice-president Al Gore to ask for justice and reparations for the human destruction of their lives and habitats.

Villaverde combines Amiry’s pointed exposé of political hypocrisy and ineffectiveness with the personal observations from a two-month artistic residency in Ramallah in summer 2014.

During that time, says Villaverde in an artist’s statement sent to The Electronic Intifada, she witnessed:

two difficult months for Palestine. More than 2,100 people died in an attack on Gaza. Because I was there, because I was so close, I saw and felt it. I experienced the harshness. The importance of solidarity. I felt the pain of turning my back. I was certain the world is a small place.

Villaverde’s statement continues by explaining that:

Animals’ Nightmare is an exhibition about Palestine. It is an exhibition about resistance. It is a project about being an artist today and resisting. In my work, I have Suad’s animals and people banging into the wall. The wall blocks them all.

Reflecting on solidarity, and on the role of the artist in political situations, Villaverde acknowledges that:

I am not a Palestinian and … I will always be looking in from the outside. Nevertheless, the further I go in my work the closer I feel. But closer doesn’t mean being inside; it means I feel closer to knowing that I will always be an outsider.

But, feeling the similarities between Palestine and her own Portuguese region of Alentejo – the Mediterranean heat and olive trees – Villaverde also reflects on her desire to bring “a little of Palestine to Portugal” and to “share a little of what is happening” through “my declaration as an artist. It is what I saw, what I felt; it is what I know how to do.”

Source: electronicintifada.net

Boxing: Dearborn’s Mohamed Adam prizes family, Yemeni heritage

While it was potentially dangerous, Mohamed Adam thought it right to visit relatives in war-torn Yemen while taking a sabbatical from boxing.

Adam, whose mother and father were born in the besieged Islamic country at the southern end of the Arabian Peninsula, doesn’t regret his decision, even though it cost him precious time in the ring.

“I wanted to see my cousins,” said Adam, who at 24 is perhaps one of the best-kept secrets in boxing, a young man from Dearborn who probably could topple top super featherweight contenders in the world right now but has had only one pro bout. “I still have a small family over there, and I didn’t want them to think I’d forgotten them.”

Adam, whose nickname is the “Hawk” — “because I strike my prey fast” — made the trip in 2013, having also been in Yemen in 2007-08.

Though born in Michigan, Adam is fiercely proud of his Arab heritage and how his father, Saleh Adam, worked in the auto industry for Chrysler in Detroit to give him and his eight siblings a chance “to experience the blessings of living in America — the things we have in this country.”

Adam, who was mentored by Kronk Gym legend Emanuel Steward as a youngster and had more than 70 amateur fights, finishing runner-up in his weight class at the 2010 National Golden Gloves Championships, has become a rallying figure in his community in Dearborn.

At his pro debut at the Masonic Temple in February, Adam scored a first-round TKO over Mateo Soto, taking just 38 seconds to render him helpless against the ropes.

Fans of Adam stormed the ring after the referee waved off the fight, singing and beating drums, which Adam saw as good but a little much.

“I think they’ll be more under control this time,” said Adam, who fights Friday night at the International Banquet Center on Monroe Avenue in Detroit against Scott Furney (3-10-1, one KO) of Waterford.

“I was really surprised to see just how many followers I had at the Masonic. They got pretty rowdy.”

Adam, who attended Edsel Ford High, said his fans were “family, friends and some people who had called from New York and Chicago to see me. I guess they believe in me.”

They should. Even though Adam faces a journeyman in Furney, he is a prospect, a boxer with all the punches, combinations and timing.

With his brother-in-law Murad Mohamed orchestrating “Team Adam,” a 12-member squad looking after Adam’s legal, financial, training and public relations needs, all Adam has to do now is keep winning.

“I know I have to bump up in opponents, and we’ll do that,” Adam said. “Friday, I just want to entertain the crowd. After that, I want the best and most talented guys out there. I know I am ready for them.”

Adam has a long way to travel before emulating his all-time favorite boxers — Cincinnati’s Aaron (the Hawk) Pryor, the former world junior welterweight champion, and Prince Naseem Hamed, the Yemeni kid from Sheffield, England, who defeated WBC featherweight champion Cesar Soto at Joe Louis Arena in 1999 and who terrorized fighters in three weight divisions in the ’90s and early 2000s.

Adam met Hamed when he was in Detroit. Adam’s father and Hamed’s dad grew up together in the same small village in Yemen.

“It was unbelievable to have him in our house,” recalled Adam of Naseem’s visit. “I was just a small boy. He is a hero of mine. I hope one day the Prince comes to one of my fights.”

Adam, who trains at the Downtown Boxing Club under Nelson Figueroa, is hurt and saddened by what is going on in Yemen, he said.

“We just want peace,” Adam said. “That’s our message. We are proud to be Arab American. We consider this our home here. We love America. We are also proud of our Arab heritage. But neighbors killing neighbors is just wrong.”

Adam wants to make his family and community in Dearborn especially proud of him.

“My father worries about me in the ring,” Adam said. “But I’ll be fine. Emanuel Steward once told me it is possible to go from zero to being a world champion with hard work. I was crushed when he passed away. I’ll never forget his advice.”

Friday night fights

What: Pro boxing (Aherns Promotions/Carlos Llinas Productions).

Where: International Banquet Center, eighth floor, 400 Monroe St., Detroit.

When: 7 p.m. Friday (doors open at 6).

Who: Main event: Mohamed Adam (1-0. 1 KO), Dearborn, vs. Scott Furney (3-10-1, 1 KO), Waterford, in super featherweight bout; plus seven more fights.

Tickets: From $30, available at door.

More info: Call 313-963-1400.

Source: www.freep.com

This Is A (Wo) Man’s World: Egyptian-American Chef Julia El Bardai

Sharp knives, hot plates and a room full of men: that is the day-to-day business of a chef running a kitchen in Egypt and the world. The male-dominated world of the culinary arts is a harsh reality that is seldom home to a female chef. Lost in male banter and straining night shifts, many women in Egypt hesitate to take their passion to cook to a professional level. Julia El Bardai is not one of these people. Inspired by her desire to make her biggest hobby her life, El Bardai abandoned her law career one day and set out on a road less travelled by women to become a chef. On April 21, she will prove that she can compete with the executive chefs of Egypt (who are exclusively male) when she takes the cooking stage at the Cairo Capital Club for a simple yet excellent dinner.

As a woman, the dream to become a chef is seldom part of a long-standing career plan. In fact, El Bardai, who is a successful chef with her own catering service in New York today, never made it a part of her plan either. After high school, the young Egyptian-American woman pursued a law degree in the United States where she grew up. “One day I asked myself if I would want to practice law every day for the rest of my life,” El Bardai tells us when we sit down with her at the Cairo Capital Club ahead of her big event next Tuesday. Unable to confirm she could, El Bardai purchased a one-way ticket to New York City to enroll in culinary school and make her hobby her profession. With that move, El Bardai had started her journey to become a female chef in a business overwhelmingly dominated by men.

Source: www.cairoscene.com

An Interview with Ramzy Baroud: The Rise of Religious Powers and the Failure of the Left in The Middle-East

by SOUAD SHARABANI
Souad Sharabani: In the past three decades or so, Communists, trade unionists and secular nationalist movements like pan Arabism were replaced by religious and ethnic dividers as the forces that mobilize, galvanize and divide the people in the Middle-East. We see the same results in every country with different circumstances. What are the factors that explain the rise of religious fundamentalism and the decline of the left? I had the opportunity to sit with Ramzy Baroud to talk about these issues and more.

Ramzy Baroud is an internationally syndicated columnist, a media consultant, an author of several books, and the founder of PalestineChronicle.com. He is currently completing his PhD studies at the University of Exeter. His latest book is My Father Was a Freedom Fighter: Gaza’s Untold Story (Pluto Press, London).

Ramzy Baroud: In the Middle East, and in the Arab world in general I would say the socialist alternatives were failing, particularly with the decline of the Soviet Union’s influence. The Soviet influence unified the ranks of various Arab countries that always revolved within the Soviet Bloc. South Yemen was a particularly potent example.

That failure was not simply the outcome of socialist bloc’s crumpling geopolitical regional models, but also because Middle Eastern countries (also under the influence or due to pressure from western hegemons) were experiencing a rethink. That was the time of the rise of the Islamic alternative, which was partly a genuine attempt at galvanizing the region’s own intellectual resources, and partly because of the funds coming from rich gulf countries to control the rise of the Islamic tide.

That was the time when the slogan: Islam is the Solution became quite dominant. That new slogan pierced through the collective psyche of various Arabic intellectual groups throughout the Middle East and beyond, specifically because it seemed to be an attempt at tapping into the region’s own historical and cultural references.

The general idea was: both US-western and Soviet models have failed or are failing, and there is an urgent need for alternative.

Souad Sharabani: when you are talking about the how the Soviet Union failed the Middle East, that also tells me that the left throughout the years was not able to build a solid foundation among their people. So that even when the Soviet Union collapsed the left would have been able to remain on solid ground among their people?

Ramzy Baroud: that is a good point. If you look at the rise of the left and the various political manifestation of the left in Europe, in Asia, in Latin America, you find it, more or less followed a set model, some experiences more accentuated than others, starting at universities, the work place and so on.

The rise of the left necessitated some kind of marriage between the ideas, mobilization and action.

If I must generalize, in the Arab world, there was a relatively a strong intellectual component of the left. But the intellectual left hardly ever managed to cross the divide between the world of theories and ideas, which was available to the educated classes, into the work place, the peasants and the average man and woman on the street. Without mobilizing the workers, peasants, and oppressed masses, the Arab left had little to offer but further rhetoric.

Souad Sharabani: Could it be that in the Middle East at the time, the majority of the population was, and still are peasants/rural communities, and the left was predominantly in urban centres and therefore were unable to penetrate into these communities?

Ramzy Baroud: Perhaps, but I would say unwilling, not unable. It is important to navigate through the course in which politics and power intertwine. Where political elites are based in urban centers, and the power is divided between whichever group manages to prevail. These elites have their specific political affiliations, parties, newspapers, and universities. Whatever arrangement is being hashed between the elites, as a result of conflict or agreement, it is often sorted out in these power centers, far away from the rest of the country, where the factories and the farms continue to operate without much disturbance, enriching the rich and furthering the misery of the poor.

Rarely did the left challenge that paradigm and reach out beyond the confines of these hubs of power.

Souad Sharabani: Why was that the case?

Ramzy Baroud: Mostly because of the mindset, and the understanding that politics is also the business of the elites, not the poor. And any political change that happened had to go through the same dynamic. The left is a component of that dynamic, to challenge it would be to challenge their own access to power.

Souad Sharabani: Were the governments’ at the time more oppressive towards leftist groups than Islamic ones?

Ramzy Baroud: Of course both groups were oppressed through out the years. The levels of oppression differed depending on the country. For example the left was not as oppressed in Iraq as they were in Saudi Arabia. Some progressive leftist elements were incorporated into the regime, were allowed to operate within acceptable margins of the ‘political life’ there. The Ba’ath party had some tolerance for some and no tolerance for others, all depending on who agreed to play by the rules.

There was no room for leftists, or any manifestation of the left in Saudi Arabia, or for anyone who opposed the King for that matter.

In fact, because of that shared oppression of political Islam and radical left, there was a degree of affinity between activists from both of groups, as they shared prison cells, and were tortured and humiliated together.

Souad Sharabani: The religious groups or parties that came to power throughout the Middle East people did not support them for strictly theological reasons, but more for social, political and economic reasons am I right?

Ramzy Baroud: I think the experience of the Muslim Brotherhood vs. Al Nour Party in Egypt is enough to confirm your assumption here. The Al Nour party arrived to the political scene quite recently, and is more driven by religious rhetoric than any particular sociopolitical program. Yet they are far less popular than the Muslim Brotherhood.

The Muslim Brotherhood are more worldly and open to political compromises, yet they were much more popular among Egyptians if you compare them to the Salafia.

Souad Sharabani: The Islamic groups like the Hizbalaha in Lebanon, the Islamic Brotherhood in Egypt, or Hamas in Palestine, created almost parallel governments providing their people the services that their governments stoped providing such as health care, education, housing, and other forms of welfare support. Am I correct?

Ramzy Baroud: That’s true. This momentum began with the nationalization of various oil industries, and the increase of oil prices. The region was flooded with a lot of money that came from the Gulf. We started seeing that slowly constructed apparatus of institutions, educational, health related and so forth.

The point of contention is: was this all planned in advance? I will argue that the rise of political Islam was not pre-calculated, but rather it just happened. The Saudis wanted to translate their wealth to influence, and various Muslim communities welcomed the pouring of funds, and began to build institutions, construct hospitals, mosques, schools, establish newspapers, and so on. The Americans then seemed okay with the idea that these groups will counter the Soviet influence, especially considering the war in Afghanistan.

Souad Sharabani: It is very interesting to note that in Iran, in Egypt and in many other Middle Eastern countries, we talked about the fact that the peasants and the working poor are the big supporters of Islamic parties, but it is also the merchant class. What do they have in common?

Ramzy Baroud: Surely you can find a common ground between people of various walks of lives. You can always find a wealthy Republican and a poor or lower middle class individual putting their class differences aside and uniting behind a political party, no matter how odd that unity may seem.

In the Middle East, religion or sect has always been grounds for unity, even if that unity seems frivolous or challenges obvious class conflict.

Souad Sharabani: Originally the educated classes were the force behind the left in the Middle East, now we are seeing the educated classes joining the religious groups. Is it because they were unable to improve their lives under the existing systems?

Ramzy Baroud: The early 1990’s was a turning point. The collapse of the Soviet Union brought to an end its political influence and outreach. At that time there was a lot of oil money coming in. Numerous Islamic Universities opened up all over the world. Saudi Arabia and other Gulf countries were able to send tens of thousands of students all over Europe to get engineering and other degrees. The tide was reversed in terms of the demographics of the educated classes.

The hegemony over education was largely broken. Look at Hamas in Gaza. Many of their leaders and members have high degrees, in engineering, or medicine. And that has become very common among all Islamic groups in Palestine, in Egypt, in Morocco and so forth. So the hegemony over education and over the articulation of the discourse is longer in the hands of the political or intellectual elites.

Now your other point about employment, this is actually the key point here. In most of the Arab countries, we do not have functional independent institutions that operate outside the realm of governments, where you could still be a leftist and operate in a free uncontrolled environment, maintain your ideology and still thrive academically and financially and professionally.

So ideologically driven intellectuals are left with few options: either live on the margin of society – you know, the maverick communist guy sitting in a coffee shop in Cairo speaking about the proletariat – or join existing institutions to remain financially afloat. Those who opted for the latter, needed to compromise to the extent that some of them are now mouthpieces for the very governments that continue to oppress their people.

Some of them ended up working for semi government institutions, some of them would end up working with NGOs, but the vast majority of them seemed to disconnect from their masses-rich slogans and old values.

As a result, the thrust of their political power as a group has diminished so greatly through out the years. If you think of Egypt for example, can you think of one overriding powerful leftist organization that operate in Egypt? Not a single one. There are ‘leftists’ but they hardly register as movers and shakers of the current political landscape.

Souad Sharabani: The Islamic Brotherhood of Egypt, Hamas, Hizbalaha, or even the Ayatollahs of Iran, these governments are not interested in creating a Taliban style governments in their respected countries. Am I right?

Ramzy Baroud: far from it, really. They are interested in power, but within a more dynamic political atmosphere, which would both guarantee their existence and influence.
Their challenge was to come with some form of political vision that would allow them to maintain a substantial degree of Islamic identity, yet create a functional modern political institutions, that intersects, to an extend with the principles of modern political democracy.

It is not easy to come to terms with all that real democracy actually entails in a region that has few, if any, democratic experiences.

Souad Sharabani: The conditions in the Middle East are very bleak. Wherever I look I see wars, death and destructions. Is there any hope in site?

Ramzy Baroud: Don’t forget these societies fought and are fighting against extremely corrupt, brutal, calculating manipulative dictatorships like Hosni Mubarak that have been in existence for decades. It is not just about an individual dictator but it is the class that has controlled every aspect of life in every nation. In order to uproot these corrupt systems, the price is predictably high. But someone has to stand up and challenge the system.

Needless to say that old colonial and neocolonial powers are very much invested in the Middle East because of oil, and because they want the Middle East to be ‘stable’ according to whichever way it suits their interests.

I think there is another issue that is quite important and that is the demographics of the Arab world. For the most part, they are very young populations, who grew up with social media. They had access to ways of communicating their oppression, and organize.

And Egypt in particular for me is not a source of depression it is a sort of optimism. Now since the crackdown by SISI, every single day that youthful population is now being educated the language of revolution. They are spending time in jails, and that what revolution is all about. It is about spending time in jails, it is about murder, it is about being liquidated by the regime, and it is about suffering and it is about pain. And once that is saturated only then you will have the true mindset of revolution. And I think now, the Egyptian public beginning to educated themselves what revolution is, and what is needed of them once SISI comes down. And I think it is only a matter of time before SISI is out.

Soud Sharabani for 30 years has been a freelance radio journalist based in Toronto Canada.  She has worked for the CBC and BBC, as well as for PEN INTERNATIONAL

Source: www.counterpunch.org

Freedom Theater play takes new look at Nativity Church siege

In a small alley hidden among the hardscrabble streets of Jenin refugee camp, memories of the bloody Israeli siege of Palestine’s most famous church are being revived.

Unlike most memorials, however, this commemoration includes neither a march nor a statue.

Instead, the attack on the Church of the Nativity in 2002 is being recounted in theatrical form, and the voices of the Palestinian fighters as well as the priests involved are being brought to the fore exactly 13 years later.

The play “The Siege” is a production of the Freedom Theater, one of Palestine’s most famous theater groups and a long time proponent of resistance against occupation through art.

With their latest work — which has toured the West Bank since its April 4 opening and is slated to reach the United Kingdom in the coming weeks — they hope to retell a story that once gripped the global public but which the directors say has been little understood until now.

Source: www.maannews.com

Why one Iraqi youth turned away from violence

Al-Nasir Bellah Al-Nasiry knows it could have gone either way.

After being shot in the leg at 17 during an attack outside his Baghdad home, Dr. Al-Nasiry is fully aware that the normal response for a youth who was raised in a country mired in violence would be to want to exact revenge.

But by nature, nurture, or just pure chance, it wasn’t for him. Instead, the incident set Al-Nasiry on a mission of ensuring that this generation of Iraqis has systems and role models in place so they are less susceptible to joining the ranks of ISIS and other violent extremist groups.

The 26-year-old doctor, who is from Baghdad and is half Kurdish, half Arab, remembers the immense pressure he felt to retaliate against his attackers. “I still remember people telling me, ‘Do something about it. Take revenge. Kill the other guy,’” he says. Friends would say “Prove your manhood, preserve your dignity.”

But the teenage Al-Nasiry had other ideas about how to react. “I remembered this saying from Martin Luther King [Jr.], ‘Violence begets violence, and hate begets hate,’” he says. “So I thought … if I go out and shoot people because of this, I would probably shoot another innocent bystander. I would fuel this idiotic cycle of violence.”

Today, Al-Nasiry wears many hats and holds an impressive list of titles. He is a resident at the Sulaimaniyah Teaching Hospital, a coordinator at TEDxBaghdad, a member of the Iraqi Youth Parliament, and is on the Global Advisory Council of World Learning, alongside ambassadors, CEOs, and NGO presidents. He frequently gives talks on youth empowerment and is a tireless activist when he is not on the speaker’s podium or within hospital walls.

The grandson of a famous Iraqi poet, and the son of liberal thinkers, Al-Nasiry transcends the worlds of medicine and peacemaking, the divisions between East and West, and the supposed fate of a young Arab male born into a world of conflict.

Beyond the day he was shot, his road to activism was cemented in 2010 with the Iraqi Young Leaders Exchange Program, which is facilitated by the NGO World Learning and funded by the US Department of State and the U.S. Embassy in Baghdad.

The program brings young Iraqis to the United States for a month-long leadership exchange. For most of the students involved, it is their first exposure to the US outside the context of war. “Where I come from, at that time, the United States was conveyed as this big demon,” he recalls.

But during his four weeks in the US, where he was based in Evansville, Ind., Al-Nasiry could feel himself transforming. He encountered a veteran on the street who was once based in Mosul and Fallujah in Iraq – the first non-Arab American he had really ever spoken to. He met “good-hearted people” nearly every step of the way.

“The ideology, or education and teachings that we are used to having – the words we kept hearing at that time – about Americans in general was vanishing second by second,” he says.

In February 2015, Al-Nasiry was invited to attend the Summit on Countering Violent Extremism at the White House. When asked what he would say to President Obama about ways to prevent or mitigate the swarms of youths in Iraq becoming involved in violent groups, Al-Nasiry did not hesitate.

“In my opinion, anyone is susceptible to embracing violence,” he says. “Even me, nine years ago: I was susceptible to taking a gun and firing it. I could’ve been a leader in ISIS right now.”

According to Al-Nasiry, the key to developing a generation of peacemakers is encouraging and promoting role models for Iraqi youths.

“I believe it’s by creating a peaceful, educated environment – creating those strong role models, rather than the person who has an AK-47 on his back, promising to give him money or women in the afterlife,” he says.

Through his work with TEDxBaghdad, Al-Nasiry has provided a platform for young people to deliver their thoughts about peace, innovation, and leadership that do justice to the TED motto, “Ideas worth spreading.”

For Al-Nasiry, these efforts are concrete and sustainable ways to combat the expanding terror group ISIS, and others like it. “In my community in Iraq, internationals represent 40 percent of fighters within ISIS, and Iraqis represent 60 percent. So working in my community is even bigger than working internationally.”

Al-Nasiry knows that creating role models for youths at risk of taking up arms is not an endeavor of instant gratification; it may take years before his efforts yield results that may change the landscape of Iraq.

But he does not believe Iraq is too far gone.

“Even though we are being ruled by a corrupt government, I believe one of us will emerge to control Iraq and stabilize the country and provide a better future for our children. It’s a very long shot, but I’ll try,” he says.

When asked how he plans to change the world, Al-Nasiry replies with a knowing humility that seems to define him: “Baby steps – baby turtle steps. Not even that.

“Change begins one life at a time.”

Source: www.csmonitor.com

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