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Tunisia’s neglected youth find their voice in hip-hop
On the roof of a concrete building in an impoverished Tunis neighbourhood, hip-hop beats pound from a PC hooked up to cheap speakers.
Under graffiti-daubed cloth, young men in sweatpants and baseball caps breakdance, popping and locking robotically to the rhythm thumping around them. Rappers from local hip-hop group Zone 5 snarl back and forth lines they’ve just written about police, poverty and drugs.
Zone 5 rapper Mohamed Ayari and other Tunisian youth are getting out their message of rage about life on the fringes in post-revolution Tunisia through a perhaps surprising channel: hip-hop.
“You see what the system does? We write a graffiti message up on the wall and they call it ‘provocation’ and the police come after us. But why do they call it provocation?” says the 23-year-old during a break in rehearsals for a forthcoming show. “It’s because we’re pointing out their faults, their weaknesses. No one wants to hear about their weaknesses.”
Since overthrowing its long-ruling dictator in 2011, Tunisia has had a string of elections and is being hailed as “the success story” of the region. But the new men in charge look very much like the old ones, with an 88-year-old president and ministers that all cut their teeth in previous administrations. Despite spearheading the revolution, Tunisia’s youth are still feeling sidelined and one of the few ways they are getting their voices heard is through rap – shouting to anyone who will listen that all is not well in Tunisia.
An attack on the national museum on March 18 by two young Tunisians from working-class neighbourhoods that killed 22 people, mostly tourists, has once more sounded the alarm about the future of young people in the country.
Tunisia’s parliamentary elections last autumn saw reasonably high voting rates. But the youth turnout was abysmal, with more than 80 per cent of Tunisians between 18 and 25 boycotting the ballot. Unemployment, already high at 15.5 per cent, soars to 42.3 per cent for young people, according to Eurostat figures from 2011.
The most sinister indication of youth disillusion with the system is the 3,000 Tunisians, nearly all in their 20s, who the interior ministry says have left to fight with the Islamic State in Syria, Iraq and, recently, Libya.
Nakasaki Dali, a member of Zone 5, said that in his neighbourhood youths either become rappers or take refuge in ultraconservative Islam.
Just down the hill from Tunis’s seat of government, where young people rallied for change four years ago, is the rundown neighbourhood of rapper Ahmed Ben Ahmed, known as Klay BBJ. His lyrics of resistance and rage are repeated by kids walking through streets choked with mopeds and rubbish.
In his raps – which jump nimbly between literary Arabic and Tunisian street dialect – Ben Ahmed talks about the issues that concern young people the most: police oppression, the lack of jobs and being made scapegoats for the country’s ills by the wealthy.
It is the police – called “the ruler” in his neighbourhood – who bear the brunt of his raps. Police under the country’s former dictator were reviled in Tunisia as the oppressive arm of a corrupt system – a role activists and urban youth say they continue to play in poorer areas. The movement to use rap to protest against the system started during the dictatorship, largely as a reaction to police brutality.
Around the corner from Ben Ahmed’s house lives 16-year-old Zied Sellimi, who said he was recently picked up with a group of young people after one of them insulted a police officer.
“I have two brothers who are always in jail,” says Sellimi, adding that his father is dead and mother has no work. “It was only a month ago that I myself was taken into the police station.” There, he said, he and his friends were slapped around and insulted.
Source: www.thenational.ae